konanyiffer420:

HOYL FUCK


God damn… Mercy

konanyiffer420:

HOYL FUCK

God damn… Mercy

I wonder how deep the time travel rabbit hole Bendis is digging will go?

xcyclopswasrightx:

Bendis broke time in the Marvel Universe

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He brought the original X-Men to the present.
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The future keeps coming back

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The newest generation of X-Men have a time traveler of unknown potential.

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The past, present, and future are all affecting each other, simultaneously.

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I am trying to put together the bigger picture. I just hope I can do it, before it is obvious.

Anonymous said: Marvel's current Mighty Avengers might be the weirdest comic I've ever seen in a while. I'm not reading it and I never will, because it's as hypocritical as it gets. With the insane amount of black characters on the roster (almost every single black superhero in the Marvel universe is in the team) it's obviously meant for black people. Not for white people. Not for asians. Not for hindus. Not for martians. Only for black people. It's ... it's ... it's ****ing racist!

brevoortformspring:

So you’re not reading it, and you never will, but you profess to know what it’s all about?

That seems a strange way to gather such information!

Plus, you’re simply wrong here. As you’d know if you read an issue.

But therein lies the madness.

If it’s not the book for you, that’s perfectly fine. Not every comic is for every reader.

But MIGHTY AVENGERS is meant for all readers.

This guy couldn’t be a POC for a minute. Almost every single everything in the world has a lead white something. Can we just have other options? Like, I am the biggest Spiderman fan in the world/-he’s white. It’s possible to like things that aren’t exactly reflective of you. I mean fuck other ppl have no choice but to like every white straight dude in the universe. But now we get a few choices—just a few and BOOM, racist.

Anonymous said: Mr. Brevoort, what is your opinion on the debate over M. Manara's variant cover of Spider Woman? A similar quarrel happened few months back for one cover on DC's Teen Titans #1. Personally, I agree that women in comics are often "over-sexualized". However, I am wondering whether this criticism is going too far. It is sort of becoming more like a form of conservatism. It almost seems like some people want to completely remove sexual thematics from comics.

brevoortformspring:

Well, I think a couple of things.

I think that the people who are upset about that cover have a point, at least in how the image relates to them.

By that same token, Milo Manara has been working as a cartoonist since 1969, and what he does hasn’t materially changed in all that time. So when we say “Manara cover”, his body of work indicates what sort of thing he’s going to do.

It’s also, for a Manara piece, one of the less sexualized ones, at least to my eye. Maybe others feel differently. But given that the character is covered head-to-toe, and is crouched in a spider-like pose, it seems far less exploitative to me than other Manara pieces we’ve run in previous months and years.

But all that said, it’s the right of every reader not to like something.

And fortunately, it’s a variant cover, so people will likely need to seek it out if they want it, rather than it being the display piece for the book.

I think a conversation about how women are depicted in comics is relevant at this point, and definitely seems to be bubbling up from the zeitgeist. That too is fine. Nothing gets better unless ideas are communicated.

Yeah. I’m glad Marvel is open for discussion.

mdthwomp:

Unfriendly reminder that in America it’s reasonable to say an unarmed black kid deserved to be shot six times because he might have robbed a convenience store, but a white kid shouldn’t be kicked off the high school football team just because he violently raped a girl.

chillona:

THEY CAN ALL FUCKING ROT IN HELL THEY ALL FUCKING DESERVE TO DIE THE MOST PAINFUL AND SLOWEST DEATH

(Source: heroineheroine)

marfmellow:

fakespacegirl:

Hate doesn’t breed hate. Hate inspires anger in victims of hatred and that anger is called hatred to delegitimize it and villainize people. If you wanna help people who are victims then first you gotta stop acting like they’re just as bad their oppressors and abusers.

BUP BUP BUP

Fear of a Black Victim [credit]

(Source: doomsday519)

cognitivedissonance:

Tonight in Ferguson, Mo. Even CNN is calling out police brutality.

We are watching history unfold. Do not stand down. Spread the word.

No justice, no peace.

Whoa

Luke Cage was created in 1972.

Four years earlier, in 1968, Martin Luther King, Jr. was shot and killed.

Five years before that, in 1963, Medgar Evers was shot and killed.

Eight years before that, in 1955, a young Black man named Emmett Till was tortured, then shot and killed.

These events, and numerous others with frightening similarity, happened in a line, and in the early years of the first decade to reap the social benefits of the Civil Rights Movement, Marvel Comics gives the fans (and the world) a Black male superhero whose primary superhuman aspect… is that he’s bulletproof.

Not flight, or super speed, or a power ring.

The superhuman ability of being impervious to bullets.

Superheroes. Action heroes. Fantasy heroes.

Power fantasies.

Is there any doubt the power fantasy of the Black man in the years following multiple assassinations of his leaders and children by way of the gun would be superhuman resistance to bullets?

In American society, the Black man has come a long way from the terrors of the past handful of centuries, only to crash right into the terrors of the 21st century. Some of those terrors being the same exact ones their grandparents had to face and survive — or not.

There are Black men who are wealthy, powerful, formidable and/or dangerous. They can affect change undreamt of by their parents, and their parents’ parents. Their children will be able to change the world in ways we can intuit and others we can barely begin to try and predict.

But a bullet can rip through their flesh and their future with no effort whatsoever.

And so we look at Luke Cage, a man who gets shot on a regular basis, whose body language is such that he is expecting to be shot at, prepared for the impact — because he knows he can take it.

And maybe, in the subconscious of the uni-mind of Marvel Comics, is the understanding that Luke Cage may unfortunately always be a relevant fantasy idea for the Black man.

2012 – Trayvon Martin is shot and killed.

2013 – Jonathan Ferrell is shot and killed.

2014 – Michael Brown is shot and killed.

2015/2016 – Luke Cage premieres on Netflix.

I look forward to seeing if the Luke Cage of that show will have a true understanding of his power and what he symbolizes.